Despite nearly 30 years producing music together, or perhaps because of it, The Church, the band you know from “Under the Milky Way”, has just released one of the best albums of its career. Untitled #23, which released May 12 in the US, is a stunning achievement, an album that is a revelation from start to finish, an album that is undeniably the Church and yet is a product of their evolution as a band. It’s rare that I find an album where every song shines, and yet this is one. Without a proper title or even proper cover art, the album lets its songs speak for themselves, and they are relentless, they surround and invade at the same time. But it creates a kind of equilibrium, and you end up feeling like you’re floating. Sometimes in lush, ethereal skies, sometimes in the vast blackness of space, and still others in dense, multicolored seas.
It’s amazing to see a band of their longevity (at least 23 albums) in such top shape. Part of this comes from their proficiency, no doubt, part of it from the confidence that gives them. But I suspect it also has to do with their love of the music. The Church’s heyday (pun intended) was long ago, at least by the measure of their popular success, but they’ve continued to produce great albums and I think that by now they must have given up any real hope of recapturing the profile they once had and simply do it because they play well together. That musical chemistry is readily apparent in this album.
It’s also part of a prolific onslaught from the band. Within the last few months they’ve also released two EPs (Pangaea and Coffee Hounds, both superb) and these come on the heels of solo releases from both Steve Kilbey (Painkiller) and Marty Willlson-Piper (Nightjar). It’s a good time to be a Church fan, but also a good time to become one. All of the albums (though not the EPs) are available from online retailers such as Amazon.com, but also from Second Motion Records as CDs or digital downloads. They’re also on iTunes. I urge you to check them out – at the very least Untitled #23. It deserves a listen.